image: Tara Deal“The guns, we tell the police later, were black like ice.”
We return from vacation to the city glaring with snow drifts. The snow is not opaline and sweet, falling like the tiniest flakes of ice cream, as we expected, as we remembered. That’s what we told people: yes, the snow is beautiful in New York City. But now it’s deep and ugly, discolored. Packed up along the curb on Gansevoort Street, in the Meatpacking District. Sometimes, a bone or chicken wing appears.
Our car goes into the garage, darker than normal, in the brown afternoon in which all things look ordinary. We haul our luggage to the back, aiming for the door that leads to our building lobby. Turn the last corner, through the maze of salty cars and one last black truck, and crouching between it and the door, aiming for us, expecting our error, is a man with yellow sunglasses and two guns.
The guns, we tell the police later, were black like ice. Or gray velvet winter sky, depending. That’s more like it. That is, we can’t remember. Our stories contradict each other, and we have to be put into separate rooms to sort it out. And write it down.
Remember the fear? Before the man slipped out of the garage as if he were a magician, leaving us stunned at the end of his trick.
No, what I remember is being grateful. For the neighborhood that began to come to life along the sidewalk, while we were still inside the garage, lying on the cement. Grateful for the people out there who might see something, then say something[1], though they never did. Even so, the city, it seemed, somehow saved us. The man ran away when it became clear, as streetlights came on and candles were lit in restaurants, that soon there would be no place to hide here.
And what about those weapons? The police still want to know the truth.
And why did one man have two, a piece for each of us, and why did he leave without shooting?
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