We were privileged to see a work-in-progress performance by artist, Jose Torres-Tama, at Ashe Cultural Arts Center. The work-in-progress productions and the following “talk backs” were completed in preparation for the finished performance which will be held at Ashe later this year. Except for a few moments of technical work throughs, a yet to be completed Who Wants to be a Day Laborer ”game show,” some improvisation about the recent gulf oil spill catastrophe and a few very minor script derivations/stumbles, the production is close to completion. This version of the performance, a nearly an hour and a half combination of scenes or skits, was extremely powerful and even during quieter moments, filled with energy. Torres-Tama is truly a force on stage commanding the attention and respect of the audience. All but a few of his characters in this production (the Nicaraguan girl and the Confederate flag carrying conservative) are well rehearsed and spot-on. The subject matter addressed in this production, and some of his others (found on his website), can sometimes be cliche/over-the-top, or (least effectively) bluntly addressed. However, when Torres-Tama nails it, he nails it, bringing sensitive issues that we have neatly, comfortably tucked away to the forefront of our thoughts.
Through the lower ninth ward
The Garden of Wishes
See Me For Who I Am
Ghost sign
Streetcar sights
A little bit of everything
Colonel Short's Villa
RIP, Melvin
It thrills me with the reminder of why I do what I do--and infuriates me with the reminder that I'll never be able to do it completely.